The Buenos Aires pictures. This is the first painting I did there. More to come

Temperley Buenos Aires 11"x14" oil on mounted linen

On the outskirts of the center of Buenos Aires are interesting towns that feel very lived in. Visiting Temperley, although very foreign to me, felt familiar. It reminded me, slightly, of Union City, New Jersey, where I lived a few years when I was a pre teen. The streets in both places are worn and cracked, stray dogs roaming around, graffiti(not the "cool" kind that is famous now a days) older cars still functioning and people that just feel so darn neighborly to me. A place sometimes just has a way in presenting itself to me that makes me want to capture it. I believe it was a mixture of this familiarity and the loving hospitality I was experiencing from a part of my wife's family. I was staring at this corner the morning after a night of gorging on an incredible "parrillada" and several glasses of Fernet and Coke. This area felt very much like home to me. I can not wait to visit again.

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Painting of studio parking lot after the rain

One of the aspects I am aware of is the difference in the quality of light that falls over south Florida as compared to where I am from in northern New Jersey. One of my favorite paintings by George Bellows captures that northern light most strikingly. His "Winter Afternoon" painting gives me comfort. In that painting he captures the view of the Palisades where I grew up. I knew well the little jagged orange that represent the morning sun on those cliffs. I can go on and on, my point is that the representation of light is a catalyst to certain moods for me. In this painting a torrential rain had fallen over my studio in the early evening. As it often rains here the clouds moved fast and it was clear again leaving the parking lot wet. Little puddles acted like a mirror to the sky above. The light danced and jumped all over my vision bringing me a sense of excitement that I had to try and capture.

Back in the Alley Trading Hands

This is the first painting I have done that is finished with a palette knife. Over the years I have been wary of paintings done with a palette knife, too many have a sort of look that bothers me. I guess the context in which I have seen these kinds of works has something to do with it: they are usually boldly displayed in cheap frame shops. They tend to have a uniform finish as if no care was taken by the artist to follow the form depicted, any how, yuck! I have developed a speed over the years in beginning a painting, I think I followed the advise of an artist I briefly studied with around 2001 or 2002 at the Arts Students League Ms. Mary Beth McKenzie. She had me begin a painting over and over again. I think that the value I have gained in this practice was to really let go of any worries as it pertains to be too perfect. You gain a sort of bravery this way because you realize that paint goes on in layers, so that any seemingly "wrong" passage can be corrected with a

Art by John Sanchez

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